![]() Kubrick's intransigence meant Weston's space suit was hermetically sealed. The director also insisted that Weston wear his Bowman wig in the sweaty, overheated environment of the suit-a directive the stuntman soon evaded by discreetly flipping the thing into a corner of his high launch platform. When Weston countered by proposing that the air holes he was suggesting could be screened by black gauze, which should have taken care of any possible light leakage, Kubrick still refused. He was worried that light might leak through and be visible through the visor. In his ceaseless drive for realism, Kubrick had turned down the suggestion that air holes be punched into the back of Weston's helmet. He'd also spent hours hanging at odd angles in the overheated HAL Brain Room for shots where Dullea's face didn't need to be visible through his helmet. Prior to his space walks above Stage 4, he'd been outfitted with a salt-and-pepper wig and doubled for Keir Dullea in the emergency air lock scene. Then twenty-five, he'd become a stuntman after "some freelance soldiering in Africa." He'd done a number of films prior to "2001," but nothing remotely as ambitious as this. (Image credit: Courtesy Doug Trumbull)Ī square-jawed, striking presence who looked not unlike the young Clint Eastwood, Weston was over six feet tall and had been brought up in India under British colonialism. Bill Weston launching from a platform 30 feet above the concrete studio floor. ![]()
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